Argos
“Avalanche”
ECD: Toby Allen
Creative Directors: Chris Clarke & Matthew Moreland
Head of Integrated Production: Charles Crisp
Agency Producer: Alfie Glover-Short Production Assistant: Carla Sandhu
Production Company: MJZ
Director: Gary Freedman
MD/ Executive Producer: Lindsay Turnham Producer: Jacob Swan Hyam
Production Manager: Charlie Rose Jones Director of Photography: Stéphane Fontaine
1st Assistant Director: Ben Glickman Production Designer: John Ebden
Stylist: Michelle May
Editor: Amanda James @ Final Cut Assistant Editor: Leah Burton and Mike Radforth
Offline Producer: Nikki Porter @ Final Cut
Post Production: ETC
VFX Supervisor: Giles Cheetham
Colourist: Luke Morrison
2D Supervisor: Stirling Archibald
2D Assist: Sebastian Brandow, David Ince DP Artist: Carl Edlund
Executive Producer: Vic Lovejoy
Producer: Alex Carswell
Audio Post Production: Grand Central Recording Studios
Audio Producer: Molly Butcher
Sound Designer: Munzie Thind
Music Supervision: Trait Music
Composers: Oliver Mayo
“Avalanche”
ECD: Toby Allen
Creative Directors: Chris Clarke & Matthew Moreland
Head of Integrated Production: Charles Crisp
Agency Producer: Alfie Glover-Short Production Assistant: Carla Sandhu
Production Company: MJZ
Director: Gary Freedman
MD/ Executive Producer: Lindsay Turnham Producer: Jacob Swan Hyam
Production Manager: Charlie Rose Jones Director of Photography: Stéphane Fontaine
1st Assistant Director: Ben Glickman Production Designer: John Ebden
Stylist: Michelle May
Editor: Amanda James @ Final Cut Assistant Editor: Leah Burton and Mike Radforth
Offline Producer: Nikki Porter @ Final Cut
Post Production: ETC
VFX Supervisor: Giles Cheetham
Colourist: Luke Morrison
2D Supervisor: Stirling Archibald
2D Assist: Sebastian Brandow, David Ince DP Artist: Carl Edlund
Executive Producer: Vic Lovejoy
Producer: Alex Carswell
Audio Post Production: Grand Central Recording Studios
Audio Producer: Molly Butcher
Sound Designer: Munzie Thind
Music Supervision: Trait Music
Composers: Oliver Mayo
To steal a section of Gary's treatment:
"You can’t choose your family. And even some of your friends! This is a beautiful truth. And the heart of this idea. It is about PEOPLE. Faults and all. We all have family – and friends - like this who descend on us at Christmas. Yes, it’s a bit of a nightmare. But we wouldn’t have it any other way."
Shot over 3 days in the outskirts of London, this was the largest cast I’ve ever worked with. Fortunately, MJZ were dreamboats and helped pull the entire production together incredibly smoothly. Client even referred to it as the best casting they’ve ever seen.
"You can’t choose your family. And even some of your friends! This is a beautiful truth. And the heart of this idea. It is about PEOPLE. Faults and all. We all have family – and friends - like this who descend on us at Christmas. Yes, it’s a bit of a nightmare. But we wouldn’t have it any other way."
Shot over 3 days in the outskirts of London, this was the largest cast I’ve ever worked with. Fortunately, MJZ were dreamboats and helped pull the entire production together incredibly smoothly. Client even referred to it as the best casting they’ve ever seen.
