Argos
“Dancer”
ECD: Toby Allen
Creative Directors: Chris Clarke & Matthew Moreland
Creatives: Carl Storey
Senior Agency Producer: Alfie Glover-Short
Production Company: Stink FIlms
Director: Traktor
Executive Producer: Jon Chads
Producer: Traktor
Production Manager: Nurjan Nevzat
Director of Photography: Pär M. Ekberg Production Designer: Poppy Luard
Costume Designer: Amy Albertine Andrew Choreographer: Lizzie Gough
Editor: Ryan Beck @ Final Cut
VFX Studio: Untold Studios
Exec Producer: Melody Alexander
Producer: Ange Toner
VFX Supervisors: Chris Redding & Jon Wood
Animation Supervisor: Aimee Westley
Audio Post Production: Grand Central Recording Studios
Audio Producer: Martin Critchley
Sound Designer: Munzie Thind
Music Supervision: DLMDD
Music Supervisors: Lizz Harman & Jeremy Newton
“Dancer”
ECD: Toby Allen
Creative Directors: Chris Clarke & Matthew Moreland
Creatives: Carl Storey
Senior Agency Producer: Alfie Glover-Short
Production Company: Stink FIlms
Director: Traktor
Executive Producer: Jon Chads
Producer: Traktor
Production Manager: Nurjan Nevzat
Director of Photography: Pär M. Ekberg Production Designer: Poppy Luard
Costume Designer: Amy Albertine Andrew Choreographer: Lizzie Gough
Editor: Ryan Beck @ Final Cut
VFX Studio: Untold Studios
Exec Producer: Melody Alexander
Producer: Ange Toner
VFX Supervisors: Chris Redding & Jon Wood
Animation Supervisor: Aimee Westley
Audio Post Production: Grand Central Recording Studios
Audio Producer: Martin Critchley
Sound Designer: Munzie Thind
Music Supervision: DLMDD
Music Supervisors: Lizz Harman & Jeremy Newton
Yet another Argos Christmas campaign under my belt, this time Trevor attempts to film Connie giving an extravagant performance with the help of some everyday items.
It was fun to develop these characters further, and push the models (and animators) physical limits with plenty of dance moves and hair sim.
The campaign was completed with bespoke social first assets, including two blooper films and two ASMR films. I was heavily involved in the creative development for each, helping to propose and write social ideas that capitalised on our existing assets and workflow.
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It was fun to develop these characters further, and push the models (and animators) physical limits with plenty of dance moves and hair sim.
The campaign was completed with bespoke social first assets, including two blooper films and two ASMR films. I was heavily involved in the creative development for each, helping to propose and write social ideas that capitalised on our existing assets and workflow.
